Last edited by Faelar
Monday, May 4, 2020 | History

6 edition of Community and public culture found in the catalog.

Community and public culture

the Marwaris in Calcutta, c.1897-1997

by Anne Hardgrove

  • 316 Want to read
  • 28 Currently reading

Published by Columbia University Press in New York, Chichester .
Written in English

    Subjects:
  • Marwaris -- India -- Calcutta,
  • Calcutta (India) -- Social conditions

  • Edition Notes

    Includes bibliographical references (p. 291-318).

    StatementAnne Hardgrove.
    The Physical Object
    Paginationxxvi, 323 p. ;
    Number of Pages323
    ID Numbers
    Open LibraryOL20025414M
    ISBN 100231122160
    ISBN 109780231122160
    OCLC/WorldCa56645871

    English Community Writing and Public Culture –The Portfolio Project. In English , students work one-on-one with incarcerated youth, helping them create a portfolio of their writing and art to present to their judges, employers, teachers, and family members. Students go . 6. Sati Worship and Marwari Public Identity in India. Email this citation The legal debate in India over the worship and glorification of sati (widow burning, previously spelled "suttee") stands unresolved at present. After several years of controversy, the practice of worshipping sati was made illegal in after the death of a young Rajput woman named Roop Kanwar.

    "This companion volume to Exhibiting Cultures contains a series of essays that illustrate both the struggles and the collaborations between museums and the communities they aim to serve The range of voices heard to great effect in the preceding book continue to speak out here. Strongly recommended."--Library Journal "[The editors] present a rich variety of thought-provoking ideas about /5(2). Christianity and Public Culture in Africa takes the reader beyond Africa’s apparent n Christians have created new publics, often in ways that offer fresh insights into the symbolic and practical boundaries separating the secular and the sacred, the private and the public, and the liberal and the illiberal.

    This book provides a radical and revisionary account of modernism, its many contradictions, and its troubled place in our public culture. Lawrence Rainey, widely known for his contributions to the debates on modernism, looks beyond the well-examined themes and innovative forms of the movement, asking instead where modernism was produced and how it was transmitted to particular audiences. This book provides a radical and revisionary account of modernism, its many contradictions, and its troubled place in our public culture. Lawrence Rainey, widely known for his contributions to the debates on modernism, looks beyond the well-examined themes and innovative forms of the movement, asking instead where modernism was produced and how it was transmitted to/5(12).


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